The manuscript now preserved at the Bibliothèque nationale de France, known as Ms. Fr. 640, comprises a compilation of technical "recipes" and observations about craft processes and natural materials. It was most probably written in the late sixteenth century by an experienced practitioner in the vicinity of Toulouse, France. The 171 folios of this rich and intriguing manuscript constitute the written record of the author-practitioner’s collection of recipes and his workshop investigations. The manuscript contains a remarkable range of techniques, including casting, mold making, metalwork, pigment and varnish making, drawing and painting instruction, practical therapeutics, vernacular natural history, practical perspective construction and the creation of optical effects, mechanical constructions, and even jokes and sleight-of-hand tricks. It offers a window into the early modern artisan’s workshop, revealing not only the materials and methods used by artisans and artists, but also insights into how and why nature was employed in creating art, and the extensive processes of experimentation that went on in an early modern workshop.
* = the entry has been researched and annotated by the Making and Knowing Laboratory students.
Table of Contents
- List of artisans with their locations - 001r
- Diverse thoughts - 001r
- List of authors - 001r
- Pen trial - 001r
- For easing the belly - 001v
- Books to recover - 002r
- Against pain - p002r
- Book title - 002v
- Emeralds of Brissac - 002v *
- Sapphire - 002v *
- Imitation coral - 003r *
- Varnish for paintings - 003r
- Thick varnish for floorboards - 003r
- To varnish - 003v
- Lavender spike oil varnish - 004r
- To remove varnish from an old panel painting that has yellowed and varnish it again - 004r
- Black varnish for sword guards, metal bands for chests, etc. - 004v *
- Black varnish without fire, without disassembling harnesses or removing metal bands from chests - 004v
- Iron engravers' varnish - 004v
- Steel mirrors - 005r
- Concave mirrors - 005r
- For bronzing in yellow and white - 005v
- To lay down and set burnished gold and give it a red or green or blue hue - 006r *
- For cages - 006v *
- For stamped ornaments used for embellishing and inserting into or covering the edges of mirrors, the tops of chests, or the friezes of bed valances - 006v
- To gild with gold color and tinsel - 007r
- To color stamped ornaments for trunks - 007r
- Doublets - 007r
- Fish glue or usblac and mouth glue - 007r
- To give the color of all kind of metals and woods and other things - 007v
- Against windy colic - 007v
- To relieve the pain of g{out} - 007v
- Against gonorrhea - 007v
- Gold lettering on paper - 008r
- To explode grenades and give force to fireworks - 008r
- Tempering bullets to pierce bullet-proof armor - 008r
- To make a breach in a wall by night - 008r
- To polish a ruby balay - 008v
- Ground gold and ground silver - 008v
- Polishing stones - 008v
- Pewterers' mixture - 008v
- Perfect amalgam - 008v
- Plowman - 009r
- Painters - 009r
- Merchants - 009r
- Painters - 009v
- Merchant - 009v
- Waste book - 009v
- Imitation jasper - 010r *
- Scudegrun - 010r *
- Roses - 010r *
- Purple color - 010r
- Powder for hourglasses - 010r *
- For painting in oil on taffeta without the oil running - 010v *
- Underlayer for gold leaf on parchment or paper - 010v *
- For cleaning gold leaf applied to iron - 010v
- For whitening ceruse - 010v
- Painting enamel azure in oil - 011r *
- Applying the color of Damascene steel on knives - 011v
- Getting rid of red eyes or black eyes - 011v
- Applying unpolished gold - 011v
- Making diamond points for engraving - 011v
- Polishing a copper wheel - 011v
- For molding from sulfur - 012r *
- Paper - 012r
- Plaster - 012r
- Moulding stucco promptly - 012v
- Cleaning yellow pearls - 012v
- To whiten enilanroc - 012v
- Flesh color with arsenic - 013r
- To dye - 013r
- Polishing of stones - 013r
- Fine sieves of raw silk - 013r
- Candles - 013v
- Whitening pearls - 013v
- Toadstone - 013v
- Snakes - 013v
- For earth walls and rustic construction - 014r
- Damask Cloth - 015r *
- Casting metals - 015r
- Casting gold and silver - 015r
- Ears - 015v
- Making letters easier to read - 015v
- Stamping - 015v
- Softening horn - 015v
- Toothache - 015v
- Black color for dyeing - 038v *
- Against nose bleeding and for dyeing - 038v *
- Beautiful artichokes - 038v
- Planting trees - 038v
- Merchants - 038v
- Goldsmith - 039r
- Dyers’ woad - 039r
- Enamel - 039v *
- Colors for illumination on glass - 039v
- Tracing a history on glass - 039v *
- Aqua fortis - 040r
- Vinegar - 040r
- Silver gilt buttons - 040r
- Grottos - 040r
- Latten and calamine - 040v
- Metal - 040v
- Aqua fortis - 040v
- Cross of the commanders of Malta - 040v *
- Garden lily - 041r
- Sand - 041r
- Ducks - 041r
- Casting earth for founders - 041r
- Glassmaker's black - 041v
- Sheared ewes - 041v
- Colors and gilt on glass - 041v *
- Founder - 042r
- Wax for seals and impressions - 042r
- Casting in plaster - 042r
- Pounce for scratching satin - 042v
- Canvas for oil painting without breaking - 042v
- Oil painting on taffeta - 042v *
- Casting sand - 042v
- For decorating a painting - 042v
- White varnish on plaster - 042v
- Mericoton and pavis - 043r
- White bronzing on plaster - 043r
- Purpurine - 043r
- White bronzing - 043r
- Varied and transmuted wine - 043v *
- Pearls - 043v
- Arquebusier - 043v
- Hail shot for the arquebus - 043v
- The reach of an arquebuse - 044r
- Pewtermaker - 044r
- Arquebuse - 044r
- Lacquer - 044r
- Dyes from flowers - 044r
- Horsehair sieves - 044v *
- Excellent water against the pest by the Master of Montorsin - 044v
- White soporific oil - 044v
- Stucco - 044v
- Loading a pellet arquebus - 045r
- Loading an arquebus - 045v
- How to adjust a bent gun barrel - 045v
- Oil of sulfur for the teeth - 046r
- Wheat oil - 046r
- Against the falling sickness - 046r
- Against cold gouts - 046r
- Tree flowers - 046r
- Oil of sulfur for the writer - 046v
- Shoemaker - 046v
- Erasing a letter - 046v
- Writing without ink - 046v
- Making à jour letters in paper and other work - 046v
- Making someone's boots burn - 046v
- Black letters on stone - 046v
- For teeth - 047r
- Antimony oil - 047r
- Against falling sickness or dizziness - 047r
- Crucibles - 047r
- Against diarrhea and dysentery - 047r
- A beverage which tastes like wine - 047v
- Melting - 047v
- Crucibles - 047v
- Cast - 047v
- Founder - 048r
- Curing dogs from mange - 048r
- Excellent mustard - 048r *
- Keeping birds and animals - 048r
- Regulus extracts - 048v
- Lead tin - 048v
- Lead casting - 049r
- Sand for lead casting - 049r
- Other - 049r
- Pewterers - 049r
- Birds - 049v
- Grain of lead - 049v
- Birds - 049v
- Preserving fruit for the entire year - 050r
- Molding - 050r
- Little Birds - 050v
- Hot-worked steel and files - 050v
- Copying off patterns - 051r
- Cutters of printing plates - 051r
- The Work done in Algiers - 052r
- Linseed - 052v
- Colors - 052v
- Soldering a vise - 053r
- Copper - 053r
- Lead casting - 053r
- Molding from paper - 053r
- Lead and copper casting - 053r
- Silkworms - 053r
- To lead a horse - 054v
- Dogs - 054v
- Boots of hay - 054v
- To disguise a horse - 054v
- To shoot a gun without noise - 055r
- Dipping for a bullet that will reach far away and will compromise the healing - 055r
- Against wounds - 055r
- To kill someone with a horrible poison spread on a board over which the person walks or on stirrups - 055r
- Another for waters - 055v
- Damascus steel - 055v
- To know one's course in open sea - 055v
- For casting - 055v
- Excellent temper for breastplates - 056r
- Varnish for tempera - 056r
- To paint - 056v *
- Tanner - 057v
- Painter - 057v
- Blacks - 058v
- Shadows - 058v
- Frescoes - 058v
- Azure - 058v
- Brushes - 058v
- Shadows - 059r
- Azure - 059r
- Painting weapons - 059v
- Painting crepe - 059v
- Folds in clothing - 059v
- Siccatives - 059v
- Double layers - 059v
- Mending cracks in a panel - 059v
- Skin colors - 061r *
- Making things round - 061r
- White lead - 061r
- Lights - 061r
- Water to make light for painters - 061v
- Chassis used by Germans - 061v
- Grinding colors - 061v
- Perspectives - 062r
- Ocher - 062r
- Distant people and animals - 062r
- Drawing - 062r
- Portraits - 062v
- Perspective - 062v
- To bronze in white - 074r
- To make vermillion - 074r
- To make varnish - 074r
- To make red varnish - 074v
- To make yellow varnish - 074v
- Recipe for white gum - 074v
- Green gum - 074v
- Red gum - 075r
- Bronze of copper - 075r
- Ground gold - 075r
- Making grey wood - 075v
- Gilding wood - 075v
- Gilding with ground gold - 075v
- Recipe for coloring all wood - 075v
- Making Wood Green - 076r
- Making Wood Blue - 076r
- For Making Purple Wood - 076r
- For Making Yellow Wood - 076r
- To make a very beautiful and inexpensive golden color - 076v
- Making black gommiche - 076v
- For white gommiche - 076v
- Gilding iron or tin - 076v
- Medicine of orientals against all maladies - 077r *
- Fatty earth - 077r
- Recipe for making bronze and many kind of varnishes - 077r
- Other approved varnishes - 077v
- Another varnish - 077v
- Another varnish - 077v
- Another varnish - 078r
- To make red varnish - 078r
- To make green wood - 078r
- To make bronze the color of azur - 078v
- To make bronze the color of gold - 078v
- To make bone or horn green - 078v
- To make it bronze - 078v
- Mixture for printers - 079v
- Mading gray wood - 079r
- Making water against illness of the eyes - 079r
- Making gold colored bronze - 079r
- Making varnish - 079v
- Antidote against the smoke of metals - 079v *
- Tin for casting - 079v
- Very hard white stucco - 080r
- Fountains - 080r
- Founders of small tin work - 080v *
- Earth for moulding - 081r
- Sand work - 081r
- Plaster - 081r
- Carton - 081r
- Sand - 018v
- Make copper and latten flow - 081v
- Sand - 081v
- Cast of the frame - 081v
- Copper heat - 082r
- Box mold - 082r
- egg white - 082r *
- Watchmakers - 082r
- Casting lead in lead - 082v
- Sand - 082v
- Ways of bronze casting - 082v
- Sand for lead - 083r
- Sand for copper medals - 083r
- Other sand - 083r
- Other sand for use with lead - 083
- Other sand - 083r
- Excellent sand - 083r *
- Excellent type of molding with water - 083v
- Molding one part in relief and one hollow side - 083v
- Bellow - 083v
- Impromptu mask - 084r
- Magistry - 084r *
- Sand from a Toulousain mine - 084r
- Sand - 084r *
- Eau Magistra - 084v *
- Lead - 084v
- Sand, for the most excellent lead of all, for large and small reliefs - 084v
- Green varnish for copper medals - 085r
- Glue - 085r
- Casters - 085v
- Mortars - 085v
- Sand from a mine - 085v
- Sand Experiments - 085v
- Excellent sand for lead, tin and copper - 086v
- Sand of Toulouse - 087r
- Sand, salte, and burned earth - 087v
- Sand from sand pit from Toulouse - 087v
- Vine - 088r
- Mortars - 088r
- Varnish - 088r
- Grafting - 088r
- Baker - 088r
- Looking-glass tin - 088r
- Sand from pulverised rock salt and sand from a minium finely ground on marble - 088v
- Mineral sand - 088v
- Powder of ox bone and rock salt - 089r *
- Reheating or wiping a box mold - 089r
- Natural sand - 089r
- Ammonia salt and alabaster - 089v
- White glassmaker's sand mixed with ammonia salt - 089v
- Sal ammoniac and iron dross - 090r
- Sand - 090r
- Every kind of sand can be made useful - 090r
- Potters' clay - 090v
- Orange trees - 090v
- Grafting - 091r
- Molding with cuttlefish bone - 091r
- Sand mixture easy to melt - 092r
- Molding hollow on one side and in relief on the other - 092r *
- Potin - 092r
- Molding statues - 092r
- Sand of river tellins and mussels - 092v
- Freezing mercury - 092v
- Mixture - 092v
- Olives - 093r
- Country folk's observation - 093r
- Grafts - 093r
- Sand - 093r
- Sand - 093r
- Faces painted with distemper - 093v *
- Azure - 093v *
- Purple and lake - 093v
- Burnisher - 094r
- Provisions for the work of Colchos - 102r
- For the furnace - 102r
- Royal cement - 102r
- Glass vessel - 102r
- Painting on crystal or glass - 102v *
- Infusion of anthos or rosemary - 102v
- Casting - 102v
- Excellent burn relief - 103r
- Against dog's gall. - 103r
- Enema - 103v
- Casting - 103v
- To make colors fluid - 103v
- Earwax - 103v
- Enamels - 103v *
- Corroding and dissolving absolutely pure gold - 104r
- Engraving on iron - 104r
- Good mixture to color gold - 104r
- How to silver plate copper and latten - 104r
- Enameling a carnelian - 104r *
- Against dogs' mange - 104v
- For casting - 104v
- Goldsmith - 104v
- Spinet playing by itself - 104v *
- Turtles - 105r
- Drying colors - 105r
- Painting - 105r
- Gardening - 105r
- Gardening - 105v
- Fountain - 105v
- Catching nightingales - 105v
- Nightingale - 105v
- Nightingale - 105v
- To cast - 106r *
- Making gold run for casting - 106r
- Casting in gold - 106v
- Tiles - 106v
- Plaster - 106v
- Catching lizards and snakes - 107r
- Information on casting - 107r
- Spalt - 108r
- Stone alum - 108v
- Clay - 108v
- Working in rough with wax - 109r *
- Wax for molding - 109r
- Molding wax - 109r
- Forge bellows - 109r
- Molding snakes - 109r
- Toad - 109v
- Killing snakes for molding - 109v
- Casting - 110r
- Rock and grotto - 110r
- Snakes - 110r
- Mussels - 110v
- Wheat oil - 110v
- A cast of lead or tin - 110v
- Reheating molds - 111r
- Latten smoke - 111r
- For red copper - 111r
- Clay earth - 111r
- Iron wire - 111r
- sal ammoniac water - 111v
- Sanguine - 111v
- Crab and crayfish - 111v
- Lizards - 111v
- Composition of sand - 111v
- To temper the sand - 112r
- Decoction of sands - 112r
- Molding en noyau. Mixing of sand - 112r
- Killing the animal to mold - 112r
- Affixing and arranging animals - 112v
- Wetting sand and molding the first cast - 113r
- Second Casting - 114r *
- Note about everything above said - 115r
- Stripping animal - 115r
- Reheating molds - 115r
- Tin casting - 115v
- Giving ventilation to your mold - 115v
- Annealing core molds - 115v
- Drying animals in an oven - 130r
- Reddening lively crayfish which will look as if they were boiled - 130r
- Molding a single spider - 130r *
- Molding a single vine leaf - 130r
- Molding a crab - 130v
- Stag beetle - 130v
- For molding thinly - 130v
- Herbs difficult to burn in the mold - 131r
- molded letter paper - 131r *
- Adorning beds, mirrors and similar things - 131r
- Training a dog - 131r
- Molded wax - 131r
- When lead or tin casts fill with bubbles - 131v
- Mold made from two casts - 132r
- How to anneal the molds - 132r
- Common quarry sand - 132v
- Crocum ferry - 132v
- Gilding animals cast with silver - 132v
- Hard wax to imprint seals - 133r
- Casting the feet of small lizards in gold and silver - 133r
- Marks [made by] the [pin] points of iron thread which one finds on the head of an animal - 133r
- Clamps and the broken mold - 133r
- Porosity and little holes which are in the mold - 133v
- Thing that cannot be released from the mold - 133v
- Various animals entwined - 133v
- To repair a pierced mold - 134r
- Sand made of crocum [ferri] - 134r
- To make gold fluid - 134v
- Casting big works with gold - 134v
- Secret for soldering small works made of gold and silver -
- Colors for gold, or sauce - 135r
- Casting - 135r
- Vine leaf and small frog - 135r
- Casting gold - 135v
- latten casting - 136v
- Casting red copper - 137r
- Huile tingente to make metal runny - 137r
- Clamps - 137r
- Wetting sand to mold flat medals - 137v
- Talcum mixed with the molds - 138v
- Gold casted very thinly - 138v
- Imitation diamonds set into the work - 138v
- Casting with lead and tin - 139r
- Casting wax to mold an animal that one has not got - 139v *
- To cast in sulfur - 140v *
- Molding and shrinking a large shape - 140v
- Casting a crayfish - 141r
- Molding grasshoppers and things too thin - 142v *
- Molds - 142v
- Lute for luting your molds - 142v
- Moulding turtles and tortoises - 143r
- Moulders from Foix - p143r
- Toad - 143r
- Openwork carcanets - 143v
- Iron filings - 143v
- Carnations - 143v
- Ashes in the moulds - 157v
- Po{ur} f{air}e h{…} vin f{…}rs [?] - 157v
- Mercury in molds, for cleaning - 158r
- Colors for green leafs - 158v *
- Large molds - 158v
- Candle smoke - 158v
- casts - 158v
- Portraits in Wax - 159r
- Chasing tool - 159r
- Fish glue - 159r
- Tin and lead - 159r
- Cleaning files - 159v
- Carnation - 159v
- Molds - 159v
- Unmixed plaster - 159v
- Presses for large moulds - 160r
- Moulding a foot or a hand - 160v
- Fine work made of gold or silver - p160v
- Catching crayfishes - p160v
- Catching passerines - p160v
- Catching birds - 160v
- Preparing sand for box molds - 161r
- Crocum ferri - 161v
- Aes ustum - 162r
- Rotten wood - 162r
- Peach trees - 162v
- Olive trees - 162v
- Foot of bittern - 162v
- Molds of things which have not been pelted - 162v
- Perfume-makers - 163r
- Spirits - 163r
- Crayfish - 163v
- Crocum - 163v
- Repairing - 163v
- Casting - 164r
- Repairing burrs - 164r
- Leaded silver - 164r
- Molds - 164v
- Sable - 164v
- Molds - 164v
- To repair - 165r
- Lacquer - 165r
- Stretching a canvas portrait - 165r
- Plaster for molding - 165r
- Dragon's blood - 165r *
- Repairing snakes and lizards - 165r
- Positioning animals - 165v
- Keeping animals - 165v
- Molds - 165v
- Lute - 165v
- Silver - 165v
- Fly wings - 165v *
- Attaching a fly wing or something similar - 165v
- For the Workshop - 166r
- handwork and devotion - 166v
- Keeping chestnuts - 166v
- Scented candle from Le Mans - 166v
- Softening gold - 166v
- Improving the color of gold - 166v
- Mortars - 167r
- List of making procedures - 169r
- Reducing a round form into a hollow one - 169v
- Common medals - 170r
- Iron clamps - 170r
- Molds - 170r
- Thick tin pieces - 170r
- How to clean closed molds - 170r
- Receipts and dues for the heirs of late Sr. Ouvryer - 170v
- Against plague - 170v
- To preserve oneself - 170v